| 90 |
사진가
래리 설탄 (Larry Sultan) (미국현대미술가전-일상)
 1
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노피곰 |
2002-10-28 |
19741 |
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Larry Sultan, photographer and public artist, uses his artwork as a conduit to question such established institutions as the family and the mass media. His most recent exhibition and book, Pictures from Home, captures a decade of work in ph...
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| 89 |
사진가
빌 오웬즈 (Bill Owens) (미국현대사진가전-일상)
1
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노피곰 |
2002-10-28 |
30727 |
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In another image (above), a housewife and young mother stands in a messy kitchen with curlers in her hair and a baby in her arms. Her quote reads: How can I worry about the damned dishes when there are children dying in Vietnam? 출처 - http:...
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| 88 |
사진가
토드 히도 (Todd Hido) (미국현대사진가전-일상)
2
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노피곰 |
2002-10-28 |
54969 |
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Hido's exterior scenes reflect the artist's interest in the themes of home, family, and memory. His photographs, taken at night, depict anonymous suburban dwellings with their windows glowing in the soft darkness. Using only available light ...
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| 87 |
사진가
에멧 고윈 (Emmet Gowin) (미국현대사진가전-일상)
1
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노피곰 |
2002-10-28 |
98681 |
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The landscape of Emmet Gowin's photographs is one of cruel beauty. Gowin, high above his subjects, photographs the gold mines, open coal pits, battlefields and atomic test sites which have scarred the earth's skin. From his God-like perch, t...
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| 86 |
사진가
그레고리 크류드슨 (Gregory Crewdson) (미국현대사진가전-일상)
1
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노피곰 |
2002-10-28 |
180862 |
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Gregory Crewdson Born: 1962, Brooklyn, NY B.A., SUNY Purchase, New York, 1985; M.F.A. Yale School of Art, Yale University, New Haven Connecticut, 1988 Lives and works in New Haven, Connecticut Gregory Crewdson’s carefully staged photographs ...
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| 85 |
사진가
티나 바니 (Tina Barney) (미국현대사진가전-일상)
1
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노피곰 |
2002-10-28 |
46093 |
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Tina Barney (1945) was born to a wealthy American upper-class family. Her personal family relations are recorded in large images. Thus we become spectators to the lives of Barney's family and friends. However, colourful images transcend soci...
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| 84 |
사진가
리차드 반즈 (Richard Barnes) (미국현대사진가전-일상)
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노피곰 |
2002-10-28 |
33538 |
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Richard Barnes San Francisco-based photographer Richard Barnes' work touches on themes of archeology and architecture -- the relationship we have to our history, the ways we collect and catalogue its residue, how we create and utilize the sp...
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| 83 |
사진가
로나 심슨 (Lorna Simpson) (미국현대사진가전-정체성)
1
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노피곰 |
2002-10-28 |
88694 |
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Although Lorna Simpson was trained in traditional photography techniques at the School of Visual Arts in New York, she began early on to explore more innovative approaches to the medium. She expanded the possibilities for black-and-white ph...
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| 82 |
사진가
루카스 사마라스 (Lucas Samaras) (미국현대사진가전-정체성)
1
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노피곰 |
2002-10-28 |
45753 |
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Lucas Samaras Born 1936 Painter, Photographer, Sculptor American Lucas Samaras was already known as a sculptor, painter, and performance artist when he began experimenting with photography. In his early work, which includes multi-media assem...
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| 81 |
사진가
리차드 프린스 (Richard Prince) (미국현대사진가전-현실)
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노피곰 |
2002-10-28 |
51317 |
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Health Study The News & Observer (Raleigh, NC) July 19, 2000 By Thomasi McDonald, Rachel Rinaldo Soon after Hurricane Floyd's floodwaters receded in the historic town of Princeville, former Mayor Glennie Matthewson started raising questi...
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| 80 |
사진가
빅 무니즈 (Vik Muniz) (미국현대사진가전-현실)
1
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노피곰 |
2002-10-28 |
188918 |
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Creative Time presents Clouds, Vik Muniz's public art project which coincides with his show at the Whitney Museum of American Art and the premiere of a full-length documentary about his work. Four times during a six day period, starting Febr...
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| 79 |
사진가
에드워드 스타이켄 (Edward Steichen)
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노피곰 |
2002-10-27 |
30074 |
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스타이켄은 룩셈브루크 출신으로 1879년에 태어났다. 그는 스티글리츠와 함께 291번지에서 사진분리파 화랑을 만들었고 1908년에는 파리로 가서 광고사진에 매진한다. <노피곰닷넷의 이원균입니다.> 이차 세계대전때에는 미국의 사진부대 지휘관으로 종군, 전...
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| 78 |
사진가
아드리안 파이퍼 (Adrian Piper) (미국현대사진가전-정체성)
1
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노피곰 |
2002-10-25 |
38256 |
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letter from milan: an interview with adrian piper by Franklin Sirmans Adrian Piper has been producing and showing her Conceptual art since the late 1960s, but her exhibition late last year at the Emi Fontana Gallery in Milan was the first o...
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| 77 |
사진가
애나 멘디에타 (ANA MENDIETA) (미국현대사진가전-정체성)
1
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노피곰 |
2002-10-25 |
33275 |
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ANA MENDIETA Although Ana Mendieta (Havana 1948-New York 1985) is now an indisputable international reference in the artworld, her person and her works remain largely unknown. In her active, but tragically short life Ana Mendieta built up a...
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| 76 |
사진가
글렌 라이곤 (Glenn Ligon) (미국현대사진가전-정체성)
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노피곰 |
2002-10-25 |
63272 |
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Glenn Ligon Colored by Roberta Smith Published in The New York Times, May 11, 2001 Periodically, Glenn Ligon seems to rebel against the austere format of his best-known work, as if to imply that making angry yet seductive black-on-black and ...
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| 75 |
사진가
마사 로슬러 (Martha Rosler) (미국현대사진가전-현실)
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노피곰 |
2002-10-25 |
434601 |
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FEAR, BOREDOM, AND SPEED: Martha Rosler's Flying Lessons Essay by Grant Kester Unclaimed Baggage In his influential book Art (1913), Clive Bell, one of the foremost English supporters of Postimpressionism, singles out for particular abuse t...
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| 74 |
사진가
캐서린 와그너 (Catherine Wagner) (미국현대사진가전-현실)
1
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노피곰 |
2002-10-24 |
27986 |
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The STEPHEN WIRTZ GALLERY is pleased to announce it will now be representing the work of CATHERINE WAGNER. This will be her first exhibition with the gallery. This 20-year survey exhibition will feature a cross-section of photographs from W...
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| 73 |
사진가
로리 시몬스 (Laurie Simmons) (미국현대사진가전-현실)
1
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노피곰 |
2002-10-24 |
377142 |
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Laurie Simmons began experimenting with photography in the early 1970s; today her work, which was foundational for both feminist and post-conceptual photography, continues to push the boundaries of her field. Simmons earned her B.F.A. from T...
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| 72 |
사진가
조엘 스텐펠드 (Joel Sternfeld) (미국현대사진가전-일상)
1
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노피곰 |
2002-10-24 |
59837 |
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Sternfeld’s work of the 1980’s carries forward the passionate pursuit of Walker Evans from the 1930’s and Robert Frank in the 1950’s: a unique vision of culture, place and character - an essence of America. Focusing on the odd yet increasin...
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| 71 |
사진가
윌리암 이글스턴 (William Eggleston) (미국현대사진가전-일상)
1
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노피곰 |
2002-10-24 |
285645 |
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By Stanley Booth Sept. 7, 1999 | William Eggleston, now 60 years old, seems securely attached to the title "Father of Color Photography." Maybe the word "color" should be modified by "art" or "artistic," because of course he didn't invent th...
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